Stock Photography and Journalism Ain’t What They Used to Be, and That’s Awesome!

by Aaron on December 8, 2009

I’ve had some observations…

Old Journalism

Creation of news for publication used to be very hard. Typewriters could be obtained, but they produced documents that could be considered utilitarian at best, with no graphics, a lack of typeface options, and difficult situations if errors needed to be corrected. Then the 1980s happened: personal computers became affordable and desktop publishing software made it possible for the masses to create attractive newsletters and flyers.

And Another Thing... newspaper proofIn the olden days, publishing news was hard. Production required large expensive printing presses. One person at home with a typewriter could write up a newsletter, but creating many copies of said newspaper required more resources than were feasible for the average Joe. Then the turn of the century rolled by and internet publishing became easier. Easy-to-use content management systems and blog platforms made it possible for the general public to easily spread news and other information online.

The industry of traditional journalism, with its controlled production and distribution, is dying as a result.

Old Stock Photography

Creating photos for stock sale used to be very hard. Professional camera and lighting equipment was expensive, and the incremental costs of film purchase and development made it important for a photographer to nail the perfect shot as quickly as possible. Then the 1990s happened, digital cameras dropped below $1000, and it was much easier for the masses to create a large quantity of photos of nearly every subject.

It used to be that the sale and distribution of stock photography was difficult. Photographers didn’t have an easy way to show their work to large numbers of the general public, so a few stock photography agencies would consolidate and market stock photos using a centralized model. Then the internet happened, and photographers were able to easily post and share their work online using mass-market photo sharing sites (such as Flickr) as well as personal photo gallery sites.

The industry of traditional stock photography, with its controlled production and distribution, is dying as a result.

Today’s Reality

In the reality of free market economics, industries rise and fall over time. New markets emerge and old markets fade away. If we speak in the terms of a life, traditional journalism and traditional stock photography are dying and are on life support. Unlike human life, the traditional stock photography and journalism markets will not be brought back to life. Computers are not just a fad; the internet isn’t some passing trend. We’re in a digital, connected world and the residents of that world have made it clear that they don’t want to buy newspapers and they won’t buy expensive stock photography.

There are individuals and organizations within the photography and journalism communities that have embraced the future and are diving headfirst into new ventures using their industry chops. There are also sizable crowds from each industry that are stuck in the middle, wanting to make the most of their traditional pasts and unsure of how to proceed into the new media world. Unfortunately, there’s a third set of folks, and they’re holding back each industry as a whole. I’m speaking of the folks that refuse to embrace the change and instead devote their energy to bitching about those who move forward.

Project 366 - 358/366 March of the Cameras HBWDeriding those who are using new models such as microstock or publishing local news on community-grown websites isn’t the answer. It’s rude, insulting, and distracting for those who are making a good-faith effort to move forward. I see similar negative rants coming from those in the stock photography market and those with a journalism background. I routinely come across pieces where a photographer posts sarcastic non-thanks for “more and more clients who don’t value good photography” and “more microstock crap to further devalue stock photography” or someone who compares journalism to brain surgery and advocates that citizens creating media can’t use the journalism word.

Your old stock photography and journalism model is dead. Please move on, or at least shut up and get out of the way of those of us who are.

The Future

While it’s not wise to ignore the past (something about being doomed to repeat mistakes), it’s similarly unwise to dwell there. Moving forward, journalists and photographers should look at what has worked. Investigative journalism won’t go away simply because old delivery mechanisms are obsolete. Well-lit, creative photography will still be in demand even with new distribution and payment models. We’re in the midst of exciting times with a lot of potential for future growth.

I’ve brought together the discussion of journalism and photography because there are so many similarities… not only in the downfall of tradition publication and distribution methods, but also in the opportunities for future growth. Smart journalists have embraced the web and social technologies. Bright photographers have figured out how to sell images outside of traditional stock channels. Having a blog doesn’t mean that one is practicing professional journalism, just as owning a camera doesn’t make one a professional photographer. Yes, “citizen journalists” and “citizen photographers” might take a small bit of the market once owned by “professionals”, but that doesn’t diminish the value that those who really know and understand the mechanics and business.

My predictions: photographers will adapt and embrace new licensing models that allow individuals or organizations to easily obtain licensing for photos in a system that’s easier for everyone involved. The best photographers will continue to stand above the rest, but easy payment and licensing options will mean that there won’t be a lot of future in the sale of images of everyday objects or scenes in everyday lighting. Journalists will embrace new delivery mechanisms for their work, with hyperlocal and realtime becoming the keys to an industry that was once focused on global and hours (or days) -old news.

While photographers and journalists with traditional skills and experience will have a leg up on newcomers, that past experience alone won’t guarantee one’s relevance in the next few years. Move forward. Do something different. Experiment. Risk. Those who are willing to take some risks and try new things are bound to become leaders in emerging markets. Instead of spending energy complaining about the past and the fact that things are changing, spend that energy learning something new, reaching out to a new audience, or experimenting with a new marketing technique.

Go make something interesting and new rather than living in a world dominated by sad reminiscence about days gone by.

This article is posted using open source blogging software and was illustrated using photos licensed under Creative Commons (from tiny_packages and The Suss-Man (Mike)).

These other posts might be of interest to you:

  1. Social Photo Podcast #5: Copyright and Property Releases, Stock Photography and Journalism, Photo Sharing Poll Results
  2. Photography and Social Media Predictions for 2010
  3. Google Enters Commercial Photo Business… for Free
  • jeff
    No one will make a living in the future, the internet is the perfect marketplace, which in one sense means everything will die.

    Just lovely.
  • I do not have a photography background, but by watching friends, I am amazed at how much your industry has changed. I know digital has turned it on its head. My friends yearn for the days of film when there was more challenge in capturing a good image.

    What I've had most contact with is the change in distribution. The model of selling stock photography has gone through so man changes, I don't know how you keep up. I was amazed when I started seeing prescription sites where you don't pay per image, necessarily.

    Change Change Change seems to be the name of the game.
  • I really enjoyed your thoughts here, bringing together these two so closely related/intertwined industries - it was a new thought to me. And I think you're spot on. I read many of the reviews of the recent conference here in Portland with "new media" and traditional media folks trying to find a way forward, and honestly found it more discouraging than anything. The polarization was physically clear. That said, I think there is a huge opportunity in this space to find working solutions. Particularly since the ultimate goals of both sets of folks, whether in publishing or photography are essentially the same. Well, except for the part where the institution wants to keep the walls up to keep the upstarts out ;). But I'm sure there'll be more discussion of that here. Can't wait to follow along. Thanks for writing this.
  • Great post and I completely share your sentiments about the evolution of the photography market and the need to adapt. Those that succeed will adapt to a new reality rather than complaining about it. I think there's a ton of opportunity out there if you're willing and able to adapt.
  • Cool thoughts Aaron, and I share your excitement as a new journalist. I can understand why people are upset, but let's get on with figuring out solutions for monetization of quality content in the future! I do hope to find an easy way to pay a fair sum for the photos I need (almost always of people in the tech industry) and I look forward to seeing what sorts of systems get developed along those lines.
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