Pro Photographers Won’t Use In-Camera HDR

by Aaron on June 29, 2010

Over the last couple of years, HDR (high dynamic range) photography has become more prevalent. Some photographers take it to the extreme and create pieces that are less photograph and more computer-generated artwork, while others use the technique in moderation and attempt to more accurately portray the colors, lights, and shadows as seen by the human eye.

Battery HallwayThe current process for creating and HDR image usually involves capturing multiple photos of the same scene while in the field, with each photo having a different exposure. The photographer then uses software to merge these photos and create a composite image which has a wider dynamic range of tones from light to dark than is possible from a single capture with today’s cameras.

A few compact (point and shoot) cameras have started to feature “in camera HDR”, where the device performs the merge in-camera so that only one file, and HDR composite, is the result. While this might be great in a point-and-shoot, I disagree with some predictions that pro photographers will start to use it on their DSLR. For the same reasons that pros don’t shoot in “P” mode, pros will want to control the details of the process so that the photographer can create the best possible image and potentially apply their own style to the photo.

In-camera HDR will be much like in-camera JPG: although there might be some ideal conditions where it’s useful, most pros will choose to shoot RAW and process their own HDR so that they can control the process completely… folks are paying for that professional touch.

What do you think? What’s the likelihood of you using in-camera HDR?

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  • http://twitter.com/mikeolbinski Mike Olbinski

    I doubt I'd use it, although the only way I WOULD use it is if you keep the original RAW files separate, and then have this in-camera HDR to use as a masking layer in Photoshop…but I'd still process it like I normally do.

    I also can't imagine a camera getting an HDR anywhere close to good considering even Photoshop can't do it as good as Photomatix…

  • http://steveeshom.com/ Steve Eshom

    Like everything, never say never. There may be a day when in camera HDR is so good that it is used regularly by photographers. Right now though I think photographers (and me) will stick with the tried and true methods.

  • http://henry-peach.myopenid.com/ Henry Peach

    Right. Just like pros would never use dry plates, and then film, and then 35mm, and then color, and then digital…. If the new technology works in a useful way we will use it.

  • Drmarkdimo

    I use it often. Whenever I know that the shadow detail will be subdued due to overall light values in the frame that would otherwise diminish midtones (as in high noon sun). Being a spot news photojournalist for the Surf industry, sometimes the speed and convenience of in-camera HDR makes my workflow so much easier.

    -mark dimalanta
    lonely planet magazine

  • jcuski

    Would definitely use it, time would tell if I’d use it often….

  • Profschiler

    Just bought the new Canon Powershot G12 because of the in-camera HDR. We’ll see if I like it.

    • http://www.picturepundit.com Aaron Hockley

      I look forward to hearing real-world results.

  • Mike

    “For the same reasons that pros don’t shoot in “P” mode”

    I see stuff like this and it makes me laugh. Lots of pros I know use P mode. This includes Sam Abell and Karen Kasmauski, both of National Geographic. Pros use whatever is necessary. Only amateurs say things like “Pros do this” or “Pros do that.” A “pro” will cut his arm off if that is what is necessary to get the picture.

  • http://www.gadgetorama.fr/gadgets/316-iseeu-facetime-sur-iphone-3g-3gs.html Caméra

    Thanks to this technological advancement, the S95 is dramatically more sensitive than cameras with identical megapixel counts, and delivers spectacular images with minimal noise.

  • Furqus

    given da technology at hand. do u think th amateur will take over da pros

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